30339·Abelia·Road·Canyon·Country·California·91351
SE-100
Monarchy Audio
380 Swift Ave.
South San Francisco CA 94080
(650) 873-3055 $1960/pair
 
C.C. Poon of Monarchy Audio has a knack for producing high value, excellent sounding audio products. Each time I have had an opportunity to spend time with Monarchy gear I have come away impressed with the level of performance C.C. has been able to squeeze out of his equipment. From the Model 22B DAC I reviewed in these pages a couple of years ago, to the Model 10A line stage I've used as a reference for the past two years, C.C.’s equipment has never failed to please. I'm happy to report that C.C. has done it again. The SE-100 100 watt, single ended, solid state monoblock amplifiers represent Monarchy Audio's first commercial foray into power amplification. Measuring a mere 5" X 11" X 12" and weighing in at 26 pounds apiece, the SE-100's are compact yet sturdily built. The front faceplate's .5” thickness and fine finish, along with the slim golden handles gracing the front of the amplifiers, lend an air of elegance to these little amps. Heck. even the golden lion emblem, which I fine to look a bit tacky on Monarchy's other products, fits in well with the cosmetics. Removing the top cover reveals an interior packed with high quality parts. A 450 VA toroidal transformer dominates the front portion of the amplifier. Behind the transformer is situated 60,000 µF worth of capacitance, with the input circuit board atop them. Attached to the heat sinks ore the 2 output boards that are home to 4 pair of hand-matched, military grade mosfets. Overall parts quality is high, with all resistors being of the 1% metal type, and the few capacitors (the amps are DC coupled) being of the film variety. All of this build quality would mean nothing, of course, if the amps didn't make sweet music. I'm here to tell you that they do. The first thing I noticed when I fired up the amps (maybe fired up is a poor choice of words), was the sense of openness in the sound stage. Listening to the Tiger Okoshi's version of "When the Saints Go Marching In" from the JVC XRCD reissue of Echoes Of A Note (an excellent CD by the way), there was an incredible feeling of space between the instruments. Yet, unlike many amps that portray this space at the cost of musical cohesiveness, the interplay between Tiger's trumpet, Bela Fleck's Banjo, the guitar, the bass and the percussion was kept intact.  A music instructor of mine once told me that it was easy to portray a feeling of energy and drive when playing at high volumes, but that the mark of a truly fine musician was the ability to convey that same feeling of energy when playing at low levels. I think the same can be said of amplifiers. While many amps that I have auditioned have been able to get me going when I turn up the volume, they failed to inspire when not being worked hard. The SE-100s had no such problem. Listening to Louis Armstrong and Ella Fitzgerald singing "Let's Call The Whole Thing Off” from Let's Do It (Verve 314529017-2) at low levels, I found myself totally caught up in the easy rhythmic drive of the number.

Now, all of this does not mean that l didn't find it worthwhile to see what these little amps could do at high volumes. Quite the contrary. These amps have the beguiling ability to seduce at low levels while still being able to keep everything together at party levels. As a matter of fact, it was time with these amps that caused me to reinstitute an early morning pre-work ritual known as terrorize the neighbors as they watch me dance through the living room window. Take a few ahem, non-audiophile favorites, combine them with high volume and a half-awake audiofool with all the coordination of a pregnant water buffalo, and you get, well, the ritual. I think one morning I managed to combine Earth, Wind & Fire's "Let's Groove", the Bee Gee's "Jive Talking," Cameo's "Word Up," and Aretha Franklin's "Respect" all in one session. Scary.

As fun as the SE-100s are to listen to, they would not be complete if they weren't able to properly capture all the tonal nuances inherent in music. As a trombonist, I have often been disappointed with the tonal presentation of the instrument when listening to reproduced music. Either the initial attack (the bite) of the trombone is softened, or if the attack is presented properly, the body is left behind rendering the sound rather hollow and tinny. While much of the blame can be laid at the feet of the partnering speakers and recordings, the amplifier certainly plays a part. While auditioning the SE-100s I was impressed with the way that the full harmonic of the trombone was presented with the bite intact. While Listening to Delfeayo Marsalis play ""The Weary Ways of Mary Magdalene" from his Pontius Pilate's Decision CD (Novus 63134-2[cd]). I was able to hear the full range, bite and growl of Delfeayo's instrument as he worked his chops. While I do not consider two thousand dollars cheap. I do consider an amplifier that can perform at this level of excellence, extremely high value. During the course of the audition period, I had an opportunity to partner the SE-100s with the Monarchy Model 33 DAC/preamp. This unit pairs a high quality DAC, with both optical and RCA type inputs, with a two input minimalist line sage. At $3200 for the combination, the pairing proved to be serious competition for some megabuck products I had in the house. Yet as good as the pairing is, use the SE-100s with something even more ambitious and you will be amazed at how these little amps can sing. In the time I've had with them, they've shown themselves to be both highly transparent and musical. Most importantly, they've shown themselves to be the type of product that makes listening to music a highly enjoyable experience. Highly recommended.

Shayne Tenace


© Copyright 1998 The Audio Observatory


 
SE-100 Specification SE-100 Basic and SE-100 Delux Comparisons Review From Bound For Sound
 
 
MONARCHY AUDIO
380 Swift Ave., #21, South San Francisco, CA94080, USA
Tel : (650) 873-3055   Fax : (650) 588-0335
Email : monarchy@earthlink.net
http://www.monarchyaudio.com